

Some describe Traego’s live shows as a cathartic, emotionally charged party—a space where chaos meets comfort. Their walls of frenzied guitar, fast-paced rhythms, and explosive stage presence are all about releasing energy and giving it back to the crowd. From rage to resilience, from despair to self-deprecation, their music reflects the spirit embedded in their name—traego, or “pitiful filth.”
Even if life doesn't go our way, even if we are the so-called dirt of society, we still show up and play our part.
Traego’s performances transcend linguistic boundaries. Singing in their mother tongue—Hakka—they scream out against injustice, inequality, and the absurdity of the world, transforming frustration into fuel, and marginalisation into raw power.
Traego(粹垢)is homophonic to the Hakka phrase coiˊgo (衰過), which means “pitiful.”
To extend the meanings of the two Chinese characters combined can also be interpreted as “pure filth,” representing our cynical punk rock spirit and reflecting the world’s prevarication using our most sincere words.
有人形容粹垢的現場演出很像一場情緒發洩與取暖的派對,狂躁的吉他音牆與強烈輕快的節奏,瘋狂且熱血的演出風格就是希望帶給聽眾的滿滿的能量,從憤怒到勵志,從自暴自棄到自我消費,總是傳達著如團名一樣「可憐」的精神,就算生活不如意,就算我們是社會上的污垢,我們依然扮演好我們在社會上的角色,粹垢的演出已超越語言的隔閡,操著我們熟悉的母語客家話,將看到的不公不義吶喊出來!
粹垢源自客語的可憐(衰過 coiˊ go),成立於 2021 年末。
憤世嫉俗的客家龐克,真摯紀錄著世下搪塞。
本會被數落的人為疏漏,成為社會的珍貴毒瘤,
針對過錯,準備不夠,純粹污垢。
TAIWANfest Toronto is grateful to be held on the traditional, ancestral, and unceded territories of many nations, including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples, that is now home to many diverse First Nations, Inuit and Métis peoples. We acknowledge our privilege to be gathered here, and commit to work with and be respectful to the Indigenous peoples of this land while we engage in meaningful conversations of culture and reconciliation.