


Guided by architectural historian Li Chien-lang's cutaway drawings, the exhibition traces the ties between Mackay and his contemporaries, and the red brick buildings they left behind. Following the seams of brick back through architectural history: how did a group of missionaries who sailed across the ocean knead the shape of home into a foreign land? Could traces of the missionaries’ work in Taiwan be found in Canadian architecture? And what important roles did renowned tea merchant Li Chunsheng and British businessman John Dodd play in the details of Taiwan’s red-brick buildings?
Visitors will step into a gallery styled like an unfolded old newspaper, combing column by column through the conflict and reconciliation hidden inside churches, hospitals and schools — watching brick after brick be endlessly deconstructed, translated, and given a new identity across the long river of history.
What "brick" will our generation leave to tell its story to the future?
Illustration by: Li Chien-Lang
Curator: Rita Chen

For more than four decades, Professor Li Chien-lang has traded the camera and measuring tape for a pencil, using intricate hand-drawn cutaway illustrations to unfold the timber framing and hidden histories of buildings like Oxford College and Mackay Hospital, layer by layer, on paper — making it possible for anyone, architect or not, to read an old house.
He has taught as a professor at Chinese Culture University, National Taipei University, and National Taiwan University of Arts, and has long served on government committees reviewing cultural heritage, moving between academic research and the front lines of historic preservation. His notable books, Dwellings for All and Palaces for the Divine are the accumulated fruit of decades spent drawing. In 2023, the Ministry of Culture honoured his lifelong dedication to preserving Taiwan's architectural memory with its National Cultural Heritage Preservation Award.
For Professor Li Chien-lang, a building has never been just brick and mortar — it is a way of narrating memory, identity, and era.

Ron Shieh completed his Master of Architecture from the University of Toronto after immigrating to Canada from Taiwan, and has operated his own firm for almost 40 years. An active member in the Taiwanese community, Ron has supported many initiatives and community projects over the years.
Ron Shieh is a member of the Ontario Association of Architects and the Royal Architectural Institute of Canada with a registered architectural practice in Ontario.

展覽以李乾朗教授的建築剖繪為引,串起馬偕等人與紅磚建築的連結,沿著磚縫回望建築歷史:一群遠航而來的異鄉人,是如何用當地的建材與技術,在異鄉揉捏出故鄉的形狀?從加拿大的建築之中,竟能看見傳教士在台灣留下的點點滴滴?而台灣紅磚建築的細節裡,知名茶商李春生與英商杜特扮演了重要的角色?
觀眾將走進一份攤開的舊報紙式展場,逐格翻閱教堂、醫館與學堂裡藏著的衝突與和解,看見一磚一瓦,如何在歷史長河中,被不斷解構、轉譯,重新賦予新的身分。
展覽尾聲的留言牆,將帶給每位觀眾一個思考:我們這一代,會留下什麼樣的「磚」,向未來說故事?
繪圖:李乾朗
策展夥伴:陳竹筠

投身建築史研究逾四十年,李乾朗教授以一枝畫筆代替相機與量尺,用細膩的手繪剖視圖,把牛津理學堂、滬尾偕醫館這類建築的樑柱結構與身世故事,一層層攤開在紙上,讓不諳建築的人也能讀懂老房子。
曾任中國文化大學、國立台北大學、國立台灣藝術大學教授,也長年擔任政府文化資產審議委員,李亁朗教授穿梭於學術研究與古蹟保存的第一線。代表著作《眾生的居所》、《神靈的殿堂》等,皆是他多年剖繪功力的積累;2023 年,他獲文化部頒發「國家文化資產保存獎」,肯定他畢生守護台灣建築記憶的堅持。
對李乾朗教授而言,建築從來不只是磚瓦本身,而是一種關於記憶、身分與時代的敘事方式。

謝樹榮從台灣移民到加拿大後在多倫多大學獲得建築碩士學位,並經營自己的公司近 40 年。作為台灣社區的活躍成員,謝樹榮多年來支持許多倡議和社區項目。現為安大略省建築師協會和加拿大皇家建築學院的會員,目前為安大略省註冊執業建築師。

TAIWANfest Toronto is grateful to be held on the traditional, ancestral, and unceded territories of many nations, including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples, that is now home to many diverse First Nations, Inuit and Métis peoples. We acknowledge our privilege to be gathered here, and commit to work with and be respectful to the Indigenous peoples of this land while we engage in meaningful conversations of culture and reconciliation.