

What happens when the Portuguese guitar and the Taiwanese yueqin meet—two plucked string instruments rich with memory and emotion? What kind of musical whispers will they share?
“Saudade” is a uniquely Portuguese word, untranslatable in its entirety. It expresses a deep longing for the past and one’s homeland, while also carrying a quiet hope for the future. Fado, often called Portugal’s national music, conveys the essence of saudade through soulful vocals and the melancholic resonance of the Portuguese guitar. In Taiwan, traditional operas and folk storytelling performances frequently feature the yueqin (moon guitar), whose mellow and slightly mournful tones are the perfect accompaniment to khàu tiāu-á—weeping melodies that speak of impermanence and the weight of human emotions.
This year at TAIWANfest, Portuguese guitarist Simon Arruda joins A-Tat, the lead vocalist of TUDI-VOICE and a student of legendary yueqin master Chen Ming-Chang, for a cross-cultural musical dialogue. Hailing from distinct cultural backgrounds, these two musicians come together to share the history and stories embedded in their instruments. Through music, a new, unexpected connection between Portugal and Taiwan will unfold—one note at a time.
A-Tat is the lead singer and the soul of TUDI-VOICE, and has been involved in social movements through his music. He learnt the traditional Taiwanese instrument, yueqin, under the legendary Chen Ming Chang, and insists on communicating and composing in Taiwanese. He says, "How can folk songs not have a land to sing to, and how can a land not have a mother tongue?”
Formed in 2006, TUDI-VOICE uses Taiwanese ballads and the spirit of rock as the basis of their creative work. Through music, they express their concern for Taiwan's rural villages, the grassroots action, and the sustainability of the land. Like this, they have created a unique style of Taiwanese rural rock. Through music, TUDI-VOICE gives voice to the marginalized in society, and always insists on pursuing the values of equality, justice, and freedom, and is full of passion and ideals for the countryside. They treat every performance as a journey and every song as a love letter to Taiwan. With love for and belief in the land, they pour their powerful energy into music and give it back to the land of Taiwan, with melodies that are sometimes angry and impassioned, and sometimes soft and tender. No matter how it sounds, it is the most simple and natural wisdom nurtured by this land.
Simon Arruda is a Guitarrista; he plays the Portuguese guitar (Fado guitar) and is a passionate educator with a deep connection to Portuguese culture and music. He approaches the instrument with dedication and respect, striving to celebrate the beauty of Fado and its cultural significance. Whether performing at events or teaching young musicians, Simon aims to inspire others to connect with music on a meaningful level.
Simon performs at events, concerts, and cultural celebrations, showcasing the intricate beauty and emotional depth of Fado. His repertoire features a blend of traditional instrumental Fados and contemporary arrangements, bringing a fresh yet authentic voice to this cherished musical form.
Simon continues to explore innovative ways to bridge tradition and modernity, ensuring that the rich sounds of Fado and instrumental music inspire generations to come.
當葡萄牙吉他與台灣月琴相遇,兩把承載記憶與情感的撥弦樂器,將會展開什麼樣的琴聲細語?
「Saudade」是葡萄牙語中特有且難以翻譯的詞彙,既包含對故鄉與過往的思念,又寄託對新生活的希望;葡萄牙的「國民音樂」法朵 (Fado),則是傳遞Saudade情感的音樂形式,以葡萄牙吉他的低迴旋律,乘載歌者的強烈情緒。台灣傳統的民間戲曲、說唱表演,常以月琴伴奏,溫潤清亮但帶點哀愁的音色,亦契合「哭調仔」(khàu tiāu-á)的曲式,述說生命的無常與情感的重量。
今年台灣節特別邀請葡萄牙吉他手Simon Arruda,與向台灣月琴演奏家陳明章拜師學藝的農村武裝青年主唱阿達,在台灣節中展開一場葡萄牙吉他與台灣月琴橫跨文化與時空的深度對話。來自不同文化背景的音樂人,將分享兩個樂器背後所承載的文化與故事,從未想過的連繫與交流,將在充滿葡萄牙與台灣特色的琴音下揭幕。
阿達是農村武裝青年的主唱與靈魂人物,以音樂參與社會運動。他同師傅陳明章學習台灣傳統樂器—月琴,堅持以台語溝通及創作,他說:「民謠怎麼可能沒有土地,土地怎麼可能沒有母語。」
農村武裝青年於2006年成軍,以台語⺠謠、搖滾精神為創作基底,透過⾳樂書寫表達對台灣農村、底層社會與永續⼟地的關懷,在風格上打造出獨樹⼀格的台式農村⺠謠搖滾。透過⾳樂書寫表達對台灣農村、草根精神與永續⼟地的關懷。把每⼀次的表演都當作⼀趟旅⾏,把每⼀⾸創作都當成是給台灣的⼀封美麗的情書。秉持著對於⼟地的愛與信仰,將其強⼤的能量灌溉在⾳樂裡,反饋給台灣⼟地,旋律時⽽憤怒激昂,時⽽溫柔傾訴。但不論以何種姿態出現,都是這塊⼟地所孕育的,最樸實⾃然的智慧。
Simon Arruda 是一位葡萄牙吉他手,專注演奏傳統法朵音樂中的核心樂器——葡萄牙吉他(法朵吉他)。他不僅是極具熱情的表演者,也是一位致力推廣葡萄牙文化與音樂的教育者。Simon 帶著敬意投入這項樂器,透過演奏傳遞法朵音樂的細膩情感與文化意涵,無論在演出現場或教學場域,都致力啟發他人與音樂建立深刻連結。
他活躍於各類活動、音樂會與文化慶典,演出曲目涵蓋傳統法朵樂曲與當代編曲,將這項珍貴的音樂形式以嶄新而忠於本質的方式呈現給觀眾。
Simon 也不斷探索如何在傳統與現代之間搭建橋樑,期望法朵音樂持續激發新一代的想像與共鳴。
TAIWANfest Toronto is grateful to be held on the traditional, ancestral, and unceded territories of many nations, including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples, that is now home to many diverse First Nations, Inuit and Métis peoples. We acknowledge our privilege to be gathered here, and commit to work with and be respectful to the Indigenous peoples of this land while we engage in meaningful conversations of culture and reconciliation.