
Scottish photographer John Thomson’s trip to Taiwan in 1871 is an important historical event.
In this film, the director selects a hunter photo to re-interpret that event and visit the Siraya tribe to find Elder Wan, who talks and sings well, bringing us back to the past through his plucking of strings.
Then we see the vigorous hunters holding their breath, staying very still in front of that weird machine for a long time, with a boy and a dog squatting at their feet.
The documentary invites the audience to witness these moments with curious eyes. On both sides of the river of time, the past and the future are speculated together, alongside the influence of images on this island.
Cheng was born in 1968 in Chang-Hua, Taiwan; graduated from Shih-Hsin University, then worked in a media company, the Golden Horse Executive Committee, and the Taiwan Film Institute. He is also a film critic and writer. The serial works Through (2007), Sorrow of City (2008), and Waiting for True Love explored the depth of time and space of the city.
His documentary film The astrolabe of text (2010) is about traditional Chinese printing industry in Taiwan, and Ita thao (2010) is about the catastrophic earthquake that occurred in Taiwan on September 21st, 1999.
Looking For Siraya (2013) and MATA (2016) are based on photographs and images of Formosa indigenous people taken by 19th-century photographer John Thomson; to watch and to explore the subject of ourselves.
Phantom Cinema (2017) and Film Dreams about her Childhood (2021) are based on Cinema ruins.
2025 Taiwan's 15th Experimental Media Art Festival
"A Wolf on Watch", Filmmakers in Focus: Cheng Li-Ming (12-14/Nov), presented by the TFAI- (Taiwan Film & Audiovisual Institute)

1871年蘇格蘭攝影師 John Thomson 的台灣之行,是歷史上的一次重要事件。
本片從他的攝影作品中選取一張獵人照片重新演繹此一事件。導演走訪西拉雅族找到說唱俱佳的萬長老,他撥弄琴弦,時光回到從前。
那時候身手矯健的西拉雅原住民在怪異機器前憋氣,久久不動。他腳邊還蹲著一個男孩與狗。導演抓取了這一角,邀請觀眾乘著好奇目光,在時光之河兩側,反覆揣想,觀看當初、未來,以及影像對島嶼的影響。
影像創作者,曾長期為《影響》、《電影欣賞》、《台灣電影筆記網站》、《小電影主義電子報》轉寫電影評論;921地震後赴日月潭長期記錄邵族,作品常結合紀錄與實驗特質。城市系列作品:《鑿空,2007》、《傷城,2008》、《等待‧真愛,2010》深入探討城市中的時間與空間。2011赴巴黎Cite駐村發表《軌跡:FF的混聲計畫》,回台後創作《尋找木柵女,2013》,而《MATA-影像之初,2017》追尋、重構19世紀攝影家 John Thomson 來台灣攝影,以其相片中的原住民西拉雅族之古今現狀進行反思。而後,開拍老戲院系列:《空一格,戲院,2016》、《菲林之馬,2021》,以舞蹈身體結合廢棄老戲院創作,並擴及影像空間展演。2025,「EX15台灣實驗電影展」焦點導演。

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