


TUDI-VOICE was formed in 2007, twenty years after the lifting of martial law. The ‘White Rice Bomber’ incidents influenced the formation of the band.
Although Taiwan had already lifted martial law, the party-state education of the martial law period and the subsequent failure to implement transitional justice still deeply affected the thinking and political choices of the Taiwanese people. This was a social phenomenon that TUDI-VOICE has always wanted to break through.
TUDI-VOICE sings about land justice, human rights, and environmental issues. They continue to use music to challenge the policeman in everyone's heart, in the hope that everyone can be free to be themselves and to pursue a more complete self.
A-Tat is the lead singer and the soul of TUDI-VOICE, and has been involved in social movements through his music. He learnt the traditional Taiwanese instrument, yueqin, under the legendary Chen Ming Chang, and insists on communicating and composing in Taiwanese. He says, "How can folk songs not have a land to sing to, and how can a land not have a mother tongue?”
Formed in 2006, TUDI-VOICE uses Taiwanese ballads and the spirit of rock as the basis of their creative work. Through music, they express their concern for Taiwan's rural villages, the grassroots action, and the sustainability of the land. Like this, they have created a unique style of Taiwanese rural rock. Through music, TUDI-VOICE gives voice to the marginalized in society, and always insists on pursuing the values of equality, justice, and freedom, and is full of passion and ideals for the countryside. They treat every performance as a journey and every song as a love letter to Taiwan. With love for and belief in the land, they pour their powerful energy into music and give it back to the land of Taiwan, with melodies that are sometimes angry and impassioned, and sometimes soft and tender. No matter how it sounds, it is the most simple and natural wisdom nurtured by this land.
「農村武裝青年」(以下簡稱「農武」)在2007年成立,時間點是在解嚴20年之後。當時因為「白米炸彈客」的事件,影響了農武的成立。
台灣雖然已經解嚴,但是戒嚴時期的黨國教育,以及後續沒有被落實的轉型正義,至今還是深深地影響了台灣人民的思想、政治選擇等等,這也是農武一直想要去衝破的社會現象。
農武為土地正義、人權、環境議題而唱,更不斷以音樂去挑戰每個人心中的小警總,期許每個人都可以更自由自在地做自己,並追尋更完整的自我。
*註:2003年,農民楊儒門因政府忽視加入WTO對農業與進口米的衝擊,寄出白米與簡易爆裂物抗議政策失衡,引發社會關注。此事件也被視為農民積極發聲的象徵性里程碑。
阿達是農村武裝青年的主唱與靈魂人物,以音樂參與社會運動。他師事陳明章學習台灣傳統樂器—月琴,堅持以台語溝通及創作,他說:「民謠怎麼可能沒有土地,土地怎麼可能沒有母語。」
農村武裝青年於2006年成軍,以台語⺠謠、搖滾精神為創作基底,透過⾳樂書寫表達對台灣農村、底層社會與永續⼟地的關懷,在風格上打造出獨樹⼀格的台式農村⺠謠搖滾。透過⾳樂為社會邊緣發聲,始終堅持追求平等、正義與⾃由的價值,對⼟地充滿熱情與理想。把每⼀次的表演都當作⼀趟旅⾏,把每⼀⾸創作都當成是給台灣的⼀封美麗的情書。秉持著對於⼟地的愛與信仰,將其強⼤的能量灌溉在⾳樂裡,反饋給台灣⼟地,旋律時⽽憤怒激昂,時⽽溫柔傾訴。但不論以何種姿態出現,都是這塊⼟地所孕育的,最樸實⾃然的智慧。
TAIWANfest Toronto is grateful to be held on the traditional, ancestral, and unceded territories of many nations, including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples, that is now home to many diverse First Nations, Inuit and Métis peoples. We acknowledge our privilege to be gathered here, and commit to work with and be respectful to the Indigenous peoples of this land while we engage in meaningful conversations of culture and reconciliation.